Free Download The Dictator's Last NightBy Yasmina Khadra

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The Dictator's Last NightBy Yasmina Khadra

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People say I am a megalomaniac. It is not true. I am an exceptional being, providence incarnate, envied by the gods, able to make a faith of his cause.

October 2011. In the dying days of the Libyan civil war, Muammar Gaddafi is hiding out in his home town of Sirte along with his closest advisors.

In this gripping imagining of the last hours of President Gaddafi, Khadra provides us with fascinating insight into the mind of one of the most complex and controversial figures of recent history.

Yasmina Khadra is the pen name of the Algerian author Mohammed Moulessehoul.

• Sales Rank: #1092188 in Books
• Published on: 2015-10-13
• Original language: English
• Number of items: 1
• Dimensions: 7.70" h x .60" w x 5.00" l, .40 pounds
• Binding: Paperback
• 112 pages

About the Author
Yasmina Khadra: Yasmina Khadra is the pen name of the Algerian author Mohammed Moulessehoul.
He became director of the Algerian Cultural Center in Paris in November 2007 and in November 2013 announced his candidacy for the presidency of Algeria.


Julian Evans: Julian Evans is a writer and translator. He lives in Bristol.

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Free PDF Posthuman Lear: Reading Shakespeare in the AnthropoceneBy Craig Dionne

Free PDF Posthuman Lear: Reading Shakespeare in the AnthropoceneBy Craig Dionne

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Posthuman Lear: Reading Shakespeare in the AnthropoceneBy Craig Dionne

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Be sure to fasten your seatbelts while reading Craig Dionne’s POSTHUMAN LEAR. In addition to being a wild ride through time and space, hurtling from late antiquity to post-Fukushima-radiated Japan by way of Shakespeare’s motley crew of castaways on a storm-battered heath, the book also offers a reparative salve for our troubled anthropocene. As long as we speak what we feel, and reversing Edgar’s famous line, even what we *ought* to say, with the shards and broken fragments of borrowed proverbial speech, we will at least have shelter with each other and with a newly denuded world, and in a consoling if partly ruined human language, from the coming Winter. ~Eileen Joy Craig Dionne has written Shakespearean criticism as it should be written: theoretically sophisticated, historically situated, while tied to the present moment, and thoroughly engaging as a piece of writing. Posthuman Lear will change the way you think … about Lear and about the work we do. ~Sharon O’Dair Approaching King Lear from an eco-materialist perspective, Posthuman Lear examines how the shift in Shakespeare’s tragedy from court to stormy heath activates a different sense of language as tool-being — from that of participating in the flourish of aristocratic prodigality and circumstance, to that of survival and pondering one’s interdependence with a denuded world. Dionne frames the thematic arc of Shakespeare’s tragedy about the fall of a king as a tableaux of our post-sustainable condition. For Dionne, Lear’s progress on the heath works as a parable of flat ontology. At the center of Dionne’s analysis of rhetoric and prodigality in the tragedy is the argument that adages and proverbs, working as embodied forms of speech, offer insight into a nonhuman, fragmentary mode of consciousness. The Renaissance fascination with memory and proverbs provides an opportunity to reflect on the human as an instance of such enmeshed being where the habit of articulating memorized patterns of speech works on a somatic level. Dionne theorizes how mnemonic memory functions as a potentially empowering mode of consciousness inherited by our evolutionary history as a species, revealing how our minds work as imprinted machines to recall past prohibitions and useful affective scripts to aid in our interaction with the environment. The proverb is that linguistic inscription that defines the equivalent of human-animal imprinting, where the past is etched upon collective memory within ‘adagential’ being that lives on through the generations as autonomic cues for survival. Dionne’s reimagining of this tragedy is important in the way it places Shakespeare’s central existential questions — the meaning of familial love, commitments to friends, our place in a secular world — in a new relation to the main question of surviving within fixed environmental limits. Along the way, Dionne reflects on the larger theoretical implications of recycling the old historicism of early modern culture to speak to an eco-materialism, and why the modernist textual aesthetics of the self-distancing text seems inadequate when considering the uncertainty and trauma that underscores life in a post-sustainable culture. Dionne’s final appeal is to “repurpose” our fatalism in the face of ecological disaster.

• Sales Rank: #2461521 in Books
• Published on: 2016-02-25
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .57" w x 5.00" l, .49 pounds
• Binding: Paperback
• 226 pages

About the Author
Craig Dionne is Professor of Literary and Cultural Theory at Eastern Michigan University, where he teaches Shakespeare and Early Modern English Literature. He specializes in Shakespeare and popular culture, early modern literacies and cultural studies. He has co-edited Disciplining English: Alternative Critical Perspectives (with David Shumway, SUNY Press, 2002), Rogues and Early Modern English Culture (with Steve Mentz, University of Michigan Press, 2005), Native Shakespeares: Indigenous Appropriations on a Global Stage (with Parmita Kapadia, Ashgate, 2008), and Bollywood Shakespeares (with Parmita Kapadia, Palgrave, 2014). He was senior editor of JNT: Journal of Narrative Theory for ten years, and he also co-edited the inaugural issue of postmedieval: a journal of medieval cultural studies (with Eileen Joy, Palgrave, 2010).

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PDF Ebook Imagine: A Vision for Christians and the ArtsBy Steve Turner

PDF Ebook Imagine: A Vision for Christians and the ArtsBy Steve Turner

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Imagine: A Vision for Christians and the ArtsBy Steve Turner

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• Sales Rank: #224015 in Books
• Published on: 2001-06-01
• Original language: English
• Number of items: 1
• Dimensions: 9.06" h x .39" w x 5.47" l, .41 pounds
• Binding: Paperback
• 160 pages

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